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Signed leaves with photos of (then) promising new actors and actresses cut from unidentified periodicals from the 1980s, all in black and white. Only some of the photos are signed, mostly with an inscription to Paul McMahon. Various formats; max. 9.5 x 7.5 inches (23.5 x 18.5 cm). In fine condition throughout. Signatures of the following (ordered by date of publication and, for each year, alphabetically): Read More...

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19419. [Advertising].
"A Guaranteed Gay Product" – 1950s Pencil Display

1950s vintage 6-pencil display manufactured by Gay Products Company, with text reading: "5¢ / GENUINE GAY PRODUCT / PENCILS / A GUARANTEED GAY PRODUCT / GAY PRODUCTS COMPANY • ATLANTA."  Moderate toning throughout, with some wear to the corners, but in otherwise fine condition. 11 x 9.25 inches. Read More...

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19420. [Advertising] [Gay].
"A Gay Better Product" - 1950s Key Chain Display

1950s vintage football keychain display manufactured by Gay Products Company, with text reading: "GAY / SPORTSMAN / Key Chain / 24 K GOLD PLATED / A GAY BETTER PRODUCT." Original set of 12 key chains still together with the packaging.  Very minor wear to the edges, in otherwise fine condition.  12 x 8.5 inches. Read More...

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17557. Albéniz, Isaac Manuel Francisco. (1860–1909).
Espagne - INSCRIBED PRESENTATION COPY

Barcelona: Universo Musical Antes J. Bta. Pujol y Ca.. [ca. 1899]. Espagne (Souvenirs). Œuvres nouvelles pour le piano . N° 1 Prélude. Signed and inscribed presentation copy of the Spanish virtuoso pianist and composer's Prelude. He has penned on the first page of music (translated from the French): "To Madame Henry Lerolle in sincere friendship and affection. I. Albeniz, Paris, January 6, 1906." 7 pp. [PN] U.336.M.1. Rather heavily toned, pages largely detached; front wrapper with multiple tears and losses. Stamped on the front wrapper by the bookseller, L. E. Dotésio. Overall good, with the inscription in fine condition. 9.5 x 12.5 inches (24.3 x 31.5 cm). Read More...

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Printed Music
No Subject
Classical Music
Signed Document/Item

14834. Albéniz, Isaac Manuel Francisco. (1860–1909) [Salzedo, Carlos. (1885–1961)].
Iberia - INSCRIBED PRESENTATION COPY TO CARLOS SALZEDO

Paris / Madrid: Edition mutuelle / Unión Musical Española. [1906 - 1914]. 1er Cahier; 2e Cahier; 3e Cahier; 4e Cahier (complete). Upright folio. 33; 39; 46; 43 pp. [PN] 3083; 3084; 3085; 3086. Cahier 2 - 4 with the light or partially erased ownership signature of Carlos Salzedo on the title pages. Cahier 4 with a taped in program photograph of the composer to the title, inscribed at the head of the first page of music in ink "A Carlos Salzedo su aftectisimo....amigo y admirador / I. Albeniz / Bagnoles de L'Orne - 12 Julio 1907.  This volume also with scattered markings in pencil in the hand of Salzedo, cloth support to spine, and small restorations to wrapper edges. Other volumes variously toned, with small tears or abrasions to wrappers, the entire set overall in fine condition.  Contained in a custom red cloth box. Read More...

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Printed Music
No Subject
Classical Music
Signed Document/Item
A copy of the anti-Semitic "Dictionary of the Jews in music," the quintessential publication of Nazi musicology and maybe the most notorious reference work of the entire discipline. First edition. Berlin: Hahnefeld, 1940. 393 (202) pp. Only the front matter counts pages; the dictionary, from page [11], counts columns instead (two per page), as do many German dictionaries, including MGG. Original binding. Handstamp of George Perle to head of front endpaper. Handstamp of "Adolf-Hitler-Schule Waldbröl" to center of endpaper. Handstamps, "Ausgabe 1" and "Ausgabe III", spread over verso of front endpaper and page [1]. 7.75 x 5 inches (19.4 x 12.3 cm). Spine mostly detached, with some loss. From the collection of the American composer George Perle. Read More...

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19736. [Avant Garde] Selz, Guy. (1901–1975) & Selz, Jean. (?–?) & Polissadim, Cyril. (?–?).
THÉÂTRE DES CHAMPS-ELYSÉES / BAL COSTUME DE LA MISÈRE NOIRE - Original 1927 Broadside

Original 1927 broadside produced by Imp. H. Chacoin, Paris, advertising a Dadaesque “Utter Poverty” costume ball at the Theatre des Champs-Élysées in Paris. The event attracted a considerable amount of curiosity, though criticism on the provocation towards underprivileged populations eventually resulted in the show's cancellation.  15.5 x 23.15 inches (39.4 x 58.7 cm). Not examined out of frame but in apparently fine condition.  Archivally matted, framed and glazed. Ref: Spectacle, 192; Color Plate, p. 288; PAI-XLIII (2014), 524. Read More...

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19461. Avedon, Richard. (1923–2004) [West, Mae. (1893–1980)].
Mae West and Mr. America, 1954

Gelatin silver print by the great American photographer of Mae West posing alongside Mr. America, Mr. Dick Dubois, 1954, with whom she appeared (as well as with 8 other "muscle boys"!) in Las Vegas singing "The Strongest Men in the World." Original period print, cropped from the original full format image.  Unfortunately marred by significant ink stains across several areas, with small pinholes in each corner and some wear to the margins, but nevertheless quite striking. Some pencil notations on the verso, unstamped. 10.5 x 11.25 inches. 

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21654. Baskin, Leonard. (1922 - 2000).
Blake & Palmer - Two Engravings INSCRIBED TO SYLVIA PLATH AND TED HUGHES

A pair of woodcut engravings, "Blake", "Palmer" (depicting the nineteenth century landscape painter, etcher, and printmaker Samuel Palmer RWS), the first inscribed "for Sylvia & Ted" and each signed "Baskin." The images measuring: 8 x 11 cm (Blake) and 5 x 5.5 cm (Palmer).  Fully backed to paper support with small tears and losses to periphery of fragile tissue just outside of the plate, presented archivally matted to 11 x 14 inches and 8 x 10 inches overall respectively.  Read More...


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21655. Baskin, Leonard. (1922 - 2000).
Two Blake Engravings INSCRIBED TO SYLVIA PLATH AND TED HUGHES

A pair of woodcut engravings, "Blake: a fragment" and "Blake," inscribed respectively "for Sylvia & Ted" and "for S. & T." each signed "Baskin."  Fully backed to paper support with small tears and losses to periphery of fragile tissue just outside of the plate, mounted together and archivally matted.   Read More...


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19530. Beethoven, Ludwig van. (1770–1827).
Sonate pour le Piano-Forte für das Hammer-Klavier des Museum's für Klavier-Musik [Op. 101]

Wien: S. A. Steiner und Comp. . [February, 1817]. First Edition, Early Issue. Oblong folio (9.75 x 12.75 inches; 25 x 32.5 cm). 1f. (decorative series title engraved by A. Müller), 1f. (title), [1] (advertisement), 2-19, [i] (blank) pp. Engraved. Price: word "Preis" followed by blank. Text of series title within decorative border: "Musée Musical Des Clavicinistes [sic]. Museum für Klaviermeister. [blank]tes Heft. Wien bei s. A. Steiner und comp." Blue wrappers lacking with slight remnant visible to inner front gutter, bound in period marbled paper binding with decorative ex-libris plate to inner front board of Siegfried Ochs (1858-1929), composer and director of the Berlin Philharmonic Chorus, with a note in his hand "Erster Drück der Sonate" (subsequently in the collection of Louis Koch). A crisp and wide-margined copy, a few light stains and spots of foxing, overall very fine.  Kinsky p. 280. Dorfmüller p. 225 (Weinhold), 336, and plate 8a. Hoboken 2, 120. Rare. Read More...

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Drawing, charcoal and white chalk on toned paper, mounted and framed with a handwritten text in pencil giving the composer's name and dates and curiously describing the work as a drawing after the "oil painting," "Handzeichnung nach dem Ölgemälde von Fr. Aug. von Kloeber | etwa 1815/16". The image measuring 4 1/2 x 3 3/4 inches, attractively framed and glazed to 12 1/2 x 9 x 3/4 inches.  Unsigned, in fine condition, with crease near center left, spots of light foxing, some gentle toning, not examined out of frame. Read More...

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21689. Berlin, Irving. (1888-1989).
Very early typed letter signed to singer Lillian Shaw providing the lyrics for "Yiddle On Your Fiddle Play Some Ragtime"

One page typed letter, New York,  13 December 1909, signed "Irving" on one sheet of "Ted Snyder Company Music Publishers" stationery, accompanied by a second sheet providing the lyrics to "Yiddle On Your Fiddle Play Some Ragtime." The display 13 x 21 inches (33 x 53 cm); framed. The typed text somewhat faded, usual folds and creases, the sheets likely laid-down, not examined out of frame.  Read More...

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11270. Berlioz, Hector. (1803-1869).
L’enfance du Christ = Des Heiland’s Kindheit : trilogie sacrée : texte français et allemand, œuvre 25 / paroles et musique de Hector Berlioz ; transcrite par A. Méreaux et Th. Ritter ; paroles françaises, avec traduction allemande de P. Cornelius.- FIRST EDITION USED BY BOLLY

Paris: S. Richault. [1855]. First Edition. 8vo. Title (v.b.); Text pp. [1] - 12; Nota [1]; 2 - 187 pp. Lithographed. [PN] 11607 R. Variant first edition of the Piano and Vocal score, this copy signed at the head of the title "L. Bolly," with his markings in pencil throughout, and with a laid-in complete program from a 9 January, 1881 performance ("12me Concert du Chatelet" ) of the work conducted by Ed. Colonne and featuring Bolly in the role of the Récitant. Blue cloth, Bolly stamped at lower spine, edges fraying, signatures loose and shaken. Hopkinson 56D (a). Read More...

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Printed Music

10979. Berlioz, Hector. (1803-1869).
Benvenuto Cellini. Opera semi-seria en trois actes. Paroles de M. M. Le?on de Wailly et Auguste Barbier. Traduction allemande de M. P. Cornelius.... Oeuvre [23]. FIRST EDITION PRESENTATION COPY INSCRIBED TO ERNEST REYER

Brunswick: Chez Henry Litolff. [1856]. First Edition. Oblong 8vo. piano-vocal score, 28 x 17 cm. Title, verso blank. Dedication to Maria Pavlovna, Grande Duchesse de Sax-Weimar, verso blank. Blank, [1]. Music, pp. 2-376. Title and dedication printed in gold on smooth paper, the music engraved throughout. [PN] 1232. Inscribed in black ink on the reverse of the dedication page "A mon ami Reyer / H. Berlioz." Hopkinson 67D. Holoman, p. 178. This copy from the collection of André Meyer, with a note of a provenance from one of his children penned on a rear endpage. A closely trimmed copy, with resultant loss to the title page foot of the foreign distributors, but without any other losses throughout. In a fine half calf modern binding. Read More...

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Signed Document/Item

21688. Berman, Eugene. (1899-1972).
Costume Design for Don Giovanni, 1952

Original Costume Design for Don Juan, by the eminent Russian Neo-romantic painters and theater and opera designers. Ink on paper. Signed and dated E.B. 1952 (lc); inscribed Bride (lr) and Don Juan (uc).  14 3/4 x 11 inches (37.5 x 27.9 cm). Nicely framed. Unexamined out of frame but in apparently fine condition.  Read More...

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22242. [Bird Music] Van Wickede, F. (?–?).
[Canary breeding] Kanari-Uitspanningen / Of nieuwe verhandeling van de / Kanari-Teelt,... Nieuwe verbeeterde en vermeerende Druck... Vierde Druck

Amsterdam: Steven van Esveldt. 1773. Fourth Edition. A book in Dutch on canary breeding as a hobby.  Upright 16mo in contemporary marbled boards.  Letterpress.  Front endpaper, frontispiece with engraving by N. van Frankendaal (1720–1791) of a canary breeder at work (verso blank), title with copying prohibition and publisher's signature to verso, preface [3 fol.], new preface to 4th edition [1 fol.], [1]–131 [132] pp.  Woodcut vignette on title, woodcut headers.  Two signatures in ink to front endpaper, the first illegible; the second is "Charles Schicksal."  Notes and scribblings in English, in pencil, to insides of boards.  Label with withered number to upper board.  6.5 x 4 inches (16.2 x 9.8 cm).  Lower edge uncut. Slightly dampstained; boards worn and somewhat soiled; else in fine condition.  In an elaborate modern, custom-made case covered in brown morocco with raised bands and gilt lettering.   The volume is quite rare, with only two copies in any 18th century edition recorded by Worldcat outside of the Netherlands (France and Germany).  Read More...

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An unusual image of the Austrian-born American conductor who led the Boston Symphony Orchestra from 1962 -1969. He is shown in this 1979 photograph with Giorgio Tozzi as they greet each other at playback of their "Barber of Seville." 10 x 8 inches, signed boldly in black ink with his name alone. Lower right corner chipped, creases to margin of left corner, else fine. Read More...

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Signed Photograph

18577. Brahms, Johannes. (1833–1897) & Speyer, Edward. (1839–1934).
Announcement of the 1811 Napoleon Festival in Erfurt - SIGNED

A rare document in the history of classical music: the surviving 1811 program of the Napoleon Festival in Erfurt, formerly owned and treasured by Johannes Brahms, and presented by the composer to his friend Edward Speyer on October 3, 1895. The program bears Brahms' inscription and signature in ink along the full height of the left margin: "Herrn Edward Speyer zur frdl. Erinnerung an Meiningen 1895 (auch ein Musik- und ein Napoleon-fest! | Johannes Brahms." (To Mr. Edward Speyer, in friendly remembrance of Meiningen 1895—itself a music and Napoleon festival! Johannes Brahms.) The program gives the full concert program on page one, followed by three pages providing the details of the performers, including directors, instrumental soloists and orchestra players, soloist singers and chorus members. Paper, watermark "B", 4 pages, single bifolium, 8.75 x 14.25 inches (22.5 x 36.5 cm) folded. Foxed and stains, creasing with small tears at edges, but autograph very bright and clear and otherwise in fine condition. We have not traced any other examples of this program appearing in the trade or in any library holdings. The present copy, enhanced by the extraordinary inscription, is a great rarity indeed.  Read More...

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10936. [Budapest String Quartet (1917-1967)] Roisman, Josef. (1900 - 1974).
Josef Roisman's Personal Budapest Quartet Scrapbook

A scrapbook of magazine and newspaper clippings, publicity materials, promotional envelopes and ephemera related to the Budapest Quartet, assembled by first violinist Josef Roisman and his wife. Large folio binder containing 35 pages, many with multiple clippings on each, including articles in Japanese, Russian, Spanish and English mostly from the 1950s-1970s, but including a few earlier items such as a photostat of a 1927 broadside, and including a rare printed postcard from Paul Hindemith (a Canon surrounded by his own fanciful designs, dated November, 1945 following his 50th birthday "To all sympathetic friends most gratefully"), an untranslated telegram in Japanese and a letter from Czech-Jewish writer and journalist Joseph Wechsberg addressed to Roisman concerning Wechsberg's lengthy feature on the quartet in the New Yorker (the full text of which is included in the scrapbook). The album binding in poor condition with the spiral metal fully detached and plastic page coverings quite brittle. The pages themselves are generally toned but in reasonably fine condition given the format and nature of the material. The final entries in the album consist of three obituaries for Roisman, followed by a page of clippings about the Library of Congress concert dedicated to his memory by the Juilliard Quartet in the week following his death (with their new cellist Joel Krosnick), these presumably added by Roisman's widow.

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Book